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Shri Rama | Seventh Avatar of Vishnu | Story of Ramayana | Ramkatha

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The great Shri Rama is regarded as the seventh among the Dashavatars (7th avatar among 10 avatars or incarnations of Vishnu). He is worshipped by one and all and the story or katha is recounted at many festivals including Diwali, Dusshera and Ram Navmi.

The Ramayana composed by Maharishi Valmiki in Sanskrit over 2500 years ago is considered to be the earliest story of Rama available to us and is traditionally considered a part of our itihaas (thus it was) traditon. While many extant versions of this immortal work are said to be divided into seven kandas or books, most scholars believe that the seventh book – the Uttara Kanda is an interpolation. In this note and accompanying video, we tell you the popular katha of Rama and Sita across the first six kandas. Our rendition includes some later developments in the beautiful Ramakatha tradition that are not found in Valmiki’s Ramayana . The six kandas covered in this note include:

  1. Bala Kanda
  2. Ayodhya Kanda
  3. Aranya Kanda
  4. Kishkindha Kanda
  5. Sundara Kanda
  6. Yuddha Kanda

A Popular Version of the Story of Vishnu’s Rama Avatar |Ramayana

Bala Kanda

Long, long ago in the treta yuga, Ravana, the asura King of Lanka and his army had become very arrogant and powerful. The balance of the world was threatened. The time for Lord Vishnu to take avatar had come.

Ayodhya was an ancient city on the banks of the river Sarayu.  It was ruled over by a Suryavanshi King called Dashrath. He and his three wives who did not have any children performed a great yagya (sacrifice). As a result, they were blessed with four sons. Queen Kaushalya gave birth to Rama who was none other than Shri Hari himself. Queen Kaikeyi gave birth to Bharat and Queen Sumitra gave birth to Lakshmana and Shatrughan.

The four handsome princes received rigorous education under the tutelage of the great Rishi Vashishtha and became Ayodhya’s pride. At the behest of  Rishi Vishwamitra, Dashratha sent Rama and Lakshmana went to the deep forests to protect the rishis from the asuras and to Mithila where the swayamara of Janaka’s princess, Sita was being held.

Sita was married to Rama. Their divine union was accompanied by the marriage of the other princes to Sita’s sisters and was blessed even by the devatas. Rama and Sita, Bharat and Mandavi, Lakshmana and Urmila and Shatrughan and Shrutakirti returned to Ayodhya to begin the next phase of their life.

Ayodhya Kanda

When the time came for Rama to become crown prince of Ayodhya, Kaikeyi used a promise that Dashratha had given to her years ago to send Rama on exile for 14 years.  In order to uphold his father’s words, Rama left Ayodhya. He was accompanied by his wife Sita and his brother Lakshmana who refused to leave him alone.

Unable to bear this sorrow, King Dashratha passed away. Months turned into years. Bharat who was devoted to his elder brother, ruled over Ayodhya as Rama’s representative while Rama, Sita and Lakshmana lived in the forests.

Retellings of the Ramkatha | Versions of Ramayana

Aranya Kanda

And then, in the forest where Rama, Sita and Lakhsmana lived, a series of events started unfolding. Ravana sent Maricha in the form of a golden deer to Rama’s hermitage to trick them. Sita was fascinated by the unusual deer and requested Rama to hunt it. When Rama and Lakshmana were away hunting the golden deer, the evil Ravana appeared as a sage, overpowered a helpless Sita and took her away to Lanka. On the way, when he heard Mata Sita’s wailing and loud cries for help, the king of birds, Jatayu tried to save Mata Sita unsuccessfully. However, before passing away, he managed to inform Rama about the gruesome incident and pointed them in the right direction.

Kishkindha Kanda

Rama was distraught and started looking for his beloved Sita. At Kishkhinda, he met his great bhakta Hanuman and forged an alliance with Sugriva. On Sugriva’s request, he killed the mighty Vanara ruler Bali who had unlawfully taken the throne from his brother. Rama, Lakshman, Hanuman, Vanara Raj Sugriva and his massive army including Angada set out in search of Sita towards the southern shores of Bharat.

Sundara Kanda

The mighty Hanuman flew over the oceans to Lanka to look for Sita. He met the sad but steadfast Mata Sita at Ashok Vatika and reassured her that her woes were about to end. An angry Hanuman ravaged Ravana’s golden Lanka by setting the city on fire.

Yuddha Kanda

Shri Rama and his formidable army crossed over to Lanka. A terrible war ensued between Rama and Ravana’s armies. Meghnada, Ravana’s mighty son who had defeated even Indra (he was also called Indrajit), gravely injured Lakshman. However, he was revived when Hanumana brought the Sanjeevani herb from the Himalayas. Shri Rama himself annihilated the valiant, gigantic Kumbharana, Ravana’s younger brother who was feared even by the devatas. The great warrior Lakshmana defeated and killed Meghnada.

Know More: Continuing Relevance of the Ramkatha

It was time for the final battle between the indomitable, maryada purushottama Rama and the fierce and arrogant Ravana. In the end, Shri Rama defeated Ravana, the one who was believed to be invincible and lay him to rest on the battlefield. Adharma had been vanquished, and the reign of Dharma had been reestablished by Rama who is the embodiment of Dharma itself. Sita and Rama were reunited. Rama coronated Vibhishana, Ravan’s brother, as the king of Lanka and fulfilled his duties.

The period of exile had also come to an end. Rama, Sita and Lakshmana returned to Ayodhya. The city sparkled with unbridled joy, and the family was reunited. Shri Rama who is regarded as the seventh avatar of Vishnu and Devi Sita who is Mata Lakshmi personified, ascended the throne of Ayodhya, heralding the golden period of Ramarajya.

Rama and Sita are eternal - Quote from Valmiki Ramayana

The story of Sita and Rama is said to be eternal and is retold across time and geography.  Maharishi Vakmiki himself says:

यावत् स्थास्यन्ति गिरयस्सरितश्च महीतले । तावद्रामायणकथा लोकेषु प्रचरिष्यति ॥

As long as there are mountains and rivers on this earth, the story of Ramayana will be told and heard in this world.

वाल्मीकि रामायण १.२.३६ | Valmiki Ramayana 1.2.36

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Garima Chaudhry - Founder and Editor - CulturalSamvaad.com

Garima Chaudhry

Garima Chaudhry is the Founder and Editor of Cultural Samvaad and Founder and Managing Partner of Hiranya Growth Partners LLP, a boutique consulting and content advisory firm based in Mumbai.

A scholar-practitioner with deep roots in Indic Studies, Garima has been a visiting faculty member for over a decade at Mumbai University and KJ Somaiya Institute of Dharma Studies, among other institutions. She has taught diploma, graduate and post-graduate courses in Development of Religious Thought in India, Hindu Thought, Bhartiya Purakatha, Buddhism and Comparative Mythology. She regularly conducts immersive workshops on India's dharmic traditions, civilisational heritage, enduring values, stories and symbols for diverse cohorts across institutions and organisations.

Garima brings over 25 years of leadership experience across financial services, digital payments, eCommerce, education and media. She began her career as a TAS Officer with the Tata Group, working across functions and sectors including FMCG and Power. At Citibank, she held progressive leadership roles culminating as Head of Strategy, Citi South Asia — working with the CEO, South Asia and Asia Pacific office on near and long-term strategic initiatives. Garima earlier led the business team for Digital Marketing, ePayments and eCommerce across India, building one of the country's early digital payment platforms. As Director at Capital18 (Network18), she led investment transactions and managed portfolio companies across focus sectors. She also served as CEO of GreyCells18 (Topperlearning and Topper TV), where she turned around and scaled the company to a 150-member team and built one of India's foremost supplementary education platforms.

Garima holds an MBA from XLRI Jamshedpur and a Bachelor's degree in Economics and Statistics from DAV College, Kanpur.Her scholarly interest in India's ancient संस्कृति — culture — and her conviction that a native idiom rooted in India's own ethos is essential to equitable growth and sustainable change, is the founding impulse behind Cultural Samvaad.

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